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typeface English

Meaning typeface meaning

What does typeface mean?

typeface

(= font) a specific size and style of type within a type family

Synonyms typeface synonyms

What other words have the same or similar meaning as typeface?

Examples typeface examples

How do I use typeface in a sentence?

Movie subtitles

The size corresponds with a Venetian octavo, and the typeface is an Italian one.
The typeface is the same as those sent to the papers and TV stations.
I've checked every typeface, font, paper and ink process that exists.
I hope this typeface catches people's eye.
Oh, I'm quite particular about book size and price, and I'd like to avoid that dreadful Gothic typeface your children's books usually have.
What Helvetica is: it's a typeface that was generated by a desire of having better legibility.
Then I decided for the final designs not to use these typefaces because the illustration is already from that period, and I used the most neutral typeface- Helvetica.
Miedinger couldn't produce a typeface alone; neither could my father.
My father had clear ideas how the typeface should look.
But my father said, lf ever I have an idea of a new typeface, I'm sure that you could design it.
The marketing director at Stempel had the idea to give it a better name because Neue Haas Grotesk didn't sound very good for a typeface that was intended to be sold in the United States.
You cannot call a typeface after the name of a country.
So in other words this would be the Swiss typeface.
Designers, and I think even readers, invest so much of the surroundings in the typeface.
Same typeface.
We have acquired a sample of typeface from the typewriter in your office, monsieur.
He doesn't know, but using the typeface, we'll.
Why is changing the typeface such a radical idea?
Spies are trained to catch even tiny inconsistencies, from outdated typeface to the wrong kind of thermochromatic ink.
I don't recognize the typeface.
The future's not in quills but in typeface.
A typeface specifically designed to make the very act of reading more natural.
And I'm sorry, but typeface, it isn't exactly a pressing issue right now.
Nice typeface.
Come. Charlotte, remember the wonderful Didot typeface in Weimar? Look at these clumsy German letters.
There's something about the typeface I think really invites this sort of open interpretation.
A typeface made of icicles or candy canes or something just says one thing.
But it's that there's really no way to describe the qualitative parts of a typeface without resorting to things are fully outside it.
The sort of classical modernist line on how aware a reader should be of a typeface is that they shouldn't be aware of it at all.
I think even if they're not consciously aware of the typeface they're reading, they'll certainly be affected by it.
A real typeface needs rhythm, needs contrast; it comes from handwriting.
It brings style with it; every typeface does.

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